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Diego and Patricia, two “professionals” in the illegal art trade, are hired by Jaques Roman, a French millionaire, for a special job: to steal the Codice Calixtino, a 12th century manuscript kept in the cathedral of Santiago de Compostela, whose history and power have attracted pilgrims for over a thousand years.
The thinking of Gilles Deleuze has been one of the great philosophical happenings of the second half of the 20th century.: today we have no doubt about this, due to the wide ranging influence of his work, the consistency with which his ideas resist the advances of the present, their constant reappearance at each turn of the modern intellectual path and, as if this wasn't enough, the incessa
A study of a pathology that affects and threatens a significant part of young people in the West, the extreme expressions of which are anorexia and bulimia nervosa.
Italy in the Second World War: the American poet Ezra Pound takes part, via Radio Rome, in the propaganda war against the allies and against the Jews. But Pound's Nazi fervour over the airwaves arouses the suspicions of the Italian counter-espionage service. The radio was by now a tool to inflame, indoctrinate and mobilise the masses, a weapon of war and device of spies.
A shot is fired on the cliffs, and Hugo has blood on his hands, but does not really know what he has seen. His visit to Normandy becomes an enigma whose roots are buried in the Second World War.
Meditation is an age-old technique that has been used for generations, with multiple benefits. The source of health & well-being, its positive effects have being scientifically proven: it helps improve memory and can even develop our IQ.
Pedro I, who became Emperor of Brazil at the age of twenty-three, left his mark on the history of two continents. A larger-than- ife, contraddictory character, women were both his salvation and damnation: while his wife, the virtuous Leopoldina of Austria, raised him to the heights, his lover, the passionate Domitila de Castro, dragged him down into decadence.
This is not a book about the world. It is not a book about social networks, or television, or Hispanic or North American literature. Nor is it a book about Twitter or the power of the image. A multifarious and dynamic essay, driven by a single preoccupation: how we view our times.
In this pleasant and provocative work the authors reject creeping state interference, power’s coercion and intimidation, as well as its ongoing efforts to reduce citizens’ rights and the claims that it knows what’s best for its subjects.